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Articles

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Great Sleeve Art and the Creative Fold of Sound and Image

For our Hermenauts issue, we asked illustrators Ellen Weinstein, Ian Wright and Olimpia Zagnoli, designers Mario Hugo and Silvia Sfligiotti and journalist and editor Mark Richardson to reflect on the interpretive power of great sleeve art. John O’Reilly reflects on the creative fold of sound and image Great album art sits between communication and the [...]

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Marian Bantjes Centre Spreads

The work of Marian Bantjes sits at the centre of each issue of Varoom. Magical, sensuous, cryptographic, Bantjes’ work is the art of surfaces and secrets. Derek Brazell highlights her work below The Canadian Graphic Artist Marian Bantjes has been a regular contributor for Varoom Magazine for the past four years, creating an intriguing and visually complex [...]

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Varoom 27: Japanese comics tradition

The experimental comics of Seiichi Hayashi are being discovered by a new generation in the West. In Varoom 27, The Hermenauts, Zoe Taylor explains how his approach transformed a tradition of image-making, and discusses style, process and exploration in an interview with Hayashi himself. Read on for an extract from the interview.   ZT: I’ve [...]

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Varoom 27: It’s Interpre-perpetual!

Illustrator and writer Paul Davis creates a regular column for Varoom, full of wit amusement and sometimes bile. Below is his contribution to Varoom 27 – The Hermenauts. It’s a headline, it’s a lifestyle, it’s a way of life – Davis on modern life’s endless circus of perpetual interpretation, the Interpre-petual from the art of [...]

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Interpretation event – who said what

The Interpretation symposium was held 18-19 September 2014, Arts University Bournemouth, Bournemouth. We present a short report on the content of the event: Interpretation was the theme of September 2014’s VaroomLab symposium on illustration, held in partnership with Arts University Bournemouth (AUB). Illustrators, students and academics all attended the event, which explored ways in which illustrators interpret, re-interpret and misinterpret information through [...]

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Interpretation: The Redheaded Man

The Redheaded Man is an accelerating journey downhill, where the main character is removed from all his features, until there is nothing left of him – or the story. Written by Soviet absurdist Danil Kharms, Minna Alanko’s study breaks down the tale into three visual/creative entrypoint elements to the story. The piece is a rich, methodical [...]

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Interpretation: The Designer Toy Platform

  DARWIN: The Designer Toy Platform as a M­eans of Academic Inquiry The Interpretation theme for this year’s illustration symposium attracted a number of interesting papers which were selected to be published online. Here Justin Novak, Associate Pro­fessor, Ceramics, Illustration, Visual Art and Material Practice at Emily Carr University of Art + Design in Vancouver, Canada covers [...]

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Varoom 25: Phoebe Gloeckner and J.G. Ballard’s The Atrocity Exhibition

Varoom 25 on the theme of empathy includes an extensive feature article by Adrian Holme on the extraordinary work of illustrator Phoebe Gloeckner for the Re/search edition of J.G. Ballard’s The Atrocity Exhibition. In the interview below Gloeckner and Holme explore some key ideas around this version of Ballard’s book, and discuss Gloeckner’s background as [...]

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Authoriality, Copies, and Image-Makers in the Age of 3D Reproduction

Continuing the Obsession theme of Varoom 25, Pablo Soler-Jones examines our changing relationship with the image in the digital age, in a review of the paperback release of Double: Storefront for Art and Architecture Manifesto Series 2. Designed by Pentagram, featuring a variety of different thinkers and artists discussing Architecture, Images and notions of Authorialism, [...]

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Varoom 24: Five Things We Learned About Obsession

With the release of the new issue of Varoom on the theme of Obsession, Varoom Editor John O’Reilly, reveals five things he learned about images, image-makers and Obsession

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